Crimes of the Future (2022)

Crimes of the Future (2022)

Director: David Cronenberg

Crimes of the Future is a 2022 science fiction body horror drama film written and directed by David Cronenberg. The film stars Viggo Mortensen, Léa Seydoux and Kristen Stewart. It follows a performance artist duo (Mortensen and Seydoux) who perform surgery for audiences in a future where human evolution has accelerated for much of the population. Although the film shares its title with Cronenberg's 1970 film of the same name, it is not a remake as the story and concept are unrelated, and there is no connection between the two films whatsoever. The film marked Cronenberg's return to the science fiction and horror genres for the first time since Existenz (1999).

An international co-production of Canadian, French, British and Greek companies, Crimes of the Future had its world premiere at the 2022 Cannes Film Festival, where it competed for the Palme d'Or and received a six-minute standing ovation. The film received a theatrical release in France on May 25, 2022, opened in Canada on June 3, 2022, and had a same day limited release in the United States. It received generally positive reviews from critics.

Plot Synopsis

A deep dive into the not-so-distant future in which humankind is learning to adapt to its synthetic surroundings. This evolution moves humans beyond their natural state and into a metamorphosis, which alters their biological makeup.

Plot

At an unspecified future date, significant advances in biotechnology led to the invention of machines and (analogue) computers that can directly interface with and control bodily functions, which have become the norm. Simultaneously, humankind itself has experienced several biological changes of indeterminate origin. Most significant among these changes is the disappearance of physical pain and infectious disease for an overwhelming majority (allowing for surgery to be safely performed on conscious people in ordinary settings), but other humans experience more radical alterations to their physiology. One of them, an eight-year-old boy named Brecken, displays the innate ability to consume and digest plastics as food. Convinced that he is inhuman, Brecken's mother smothers him with a pillow, leaving his corpse to be found by her ex-husband Lang.

Saul Tenser and Caprice are a world-renowned performance artist couple. They take advantage of Tenser's "accelerated evolution syndrome", a disorder that forces his body to constantly develop new organs, by surgically removing them before a live audience. The syndrome leaves Tenser in constant pain and with severe respiratory and digestive discomfort; he is consequently reliant on several specialized biomechanical devices, including a bed, a machine through which Caprice performs surgery on him, and a chair that twitches and rotates as it assists him with eating. Tenser and Caprice meet with bureaucrats in charge of the National Organ Registry, a governmental office designed to uphold the state's restrictions on human evolution by cataloging and storing newly evolved organs. One of the bureaucrats, the nervy Timlin, becomes captivated by Tenser's artistic goals. At a successful show of Tenser's, she tells him that "surgery is the new sex", a sentiment that Tenser and many other characters appear to embrace as repetitive cutting seems to be replacing traditional sex and masturbation as the preferred means of sexual gratification.

A governmental police unit seeks to use Tenser to infiltrate a group of radical evolutionists. Without telling Caprice, Tenser meets a series of contacts through other biological performance art shows that lead him to the evolutionist cell. One of them, former cosmetic surgeon Nasatir, creates a zippered cavern in Tenser's stomach, which Caprice uses to access Tenser's organs in an oral sex act where she fellates his zipper wound and presumably his internal organs while he moans in erotic pleasure. Caprice continues to network with other performance artists, eventually choosing to receive decorative cosmetic surgery on her forehead.

Tenser meets with Timlin, who reveals to him the agenda of the evolutionists: they have chosen to modify their digestive system to make them able to eat plastics and other synthetic chemicals. Their principal food is a purple processed "candy bar" of toxic waste, fatally poisonous to others. Lang is the leader of the cell; his son Brecken had been born with the ability to eat plastic, proving the inaccuracy of the government's critical stance on human evolution. Timlin tries to initiate sex with Tenser, but he says he is not good at "the old sex".

Tenser is eventually approached by Lang, who wants Tenser and Caprice to reveal the cell's anti-government agenda through a public autopsy of Brecken that will highlight his evolved digestive system. After some deliberation, Tenser agrees. With Timlin, Lang, and many others watching, Tenser performs the autopsy, but it is revealed that Brecken's natural organ system has been surgically replaced. Lang flees the show in tears. Outside, he is approached by two agents who supposedly work for the corporation that manufactures Tenser's biomedical machines. Mimicking their earlier killing of Nasatir, they assassinate Lang by driving power drills into his head. Tenser's connection within the police unit admits that Timlin replaced Brecken's organs to keep the deviation in human evolution secret from the public. Saddened by Brecken and Lang's deaths, Tenser informs the police that he will no longer serve them, approvingly mentioning the cell's beliefs on evolution.

Tenser struggles to eat in his chair. He asks Caprice to give him a bar of plastic. As Caprice records him, he eats it, looks into Caprice's camera, and sheds a tear. His mouth twitches into a smile as the chair finally quiets.